ARTICLES
The found Serenade
Seicorde
No. 96
20th year
July-September 2008
pp. 17-18
Seicorde
Anniversary: Franco Margola - Neoclassical but not too much
No. 97
20th year
October-December 2008
pp. 32-33
The works for guitar by the musician of Brescia
Brescia Musica
N. 112
22nd year
December 2008
p. 6
Seicorde
Donizetti, the guitar at the opera
No. 98
21st year
January-March 2009
pp. 32-33
Joseph Küffner: an unjustly forgotten author
Seicorde
N. 99
21st year
April-June 2009
pp. 20-21
Seicorde
A woman who played the guitar: Catharina Sidney Pratten
N. 104
22nd year
July-September 2010
pp. 20-22
Progress in lutemaking: the mystery of the sixth string
Seicorde
No. 107
23th year
April-June 2011
pp. 29-31
Seicorde
The Fürstenau dynasty
N. 111
24th year
April-July 2012
pp. 18-19
Luigi Legnani: a brilliant guitarist
Seicorde
N. 114
25th year
January-March 2013
pp. 19-22
The moving capo of the guitar: history and evolutions
Guitart
N. 85
21st year
October-December 2017
pp. 21-23
Guitart
Methods for guitar by Italian authors or of Italian origin from 1761 to 1857
N. 86
21st year
April-June 2017
pp. 10-15
The Vinaccia dynasty - history and insights from its origins to the 19th century
Guitart
N. 87
21st year
July-September 2017
pp. 11-18
Guitart
Carl Maria Friedrich Ernst von Weber: his time and his guitar
N. 88
21st year
ottobre-dicembre 2017
pp. 22-28
The guitar works of the Ricordi editions published in Milan from 1808 to 1869: history and catalog of works (1st part)
Guitart
N. 89
22nd year
January-March 2018
pp. 35-39
Guitart
The guitar works of the Ricordi editions published in Milan from 1808 to 1869: history and catalog of works (2nd part)
N. 90
22nd year
April-June 2018
pp. 28-33
The guitar works of the Ricordi editions published in Milan from 1808 to 1869: history and catalog of works (3rd part)
Guitart
N. 91
22nd year
July-September 2018
pp. 28-34
il Fronimo
Matteo Carcassi: a new biographical update
(with Mario Dell'Ara)
No. 184
45th year
October-December 2018
pp. 5-9
The "fantastic" guitar of Louis Hector Berlioz
(1st part)
Guitart
N. 92
22nd year
October-December 2019
pp. 20-22
Guitart
The "fantastic" guitar of Louis Hector Berlioz (2nd part)
N. 93
23rd year
January-March 2019
pp. 20-22
The strings of the guitar: history and evolution from gut to nylon, up to the latest innovations, the pioneering adventure of Albert Augustine
Guitart
N. 94
23rd year
April-June 2019
pp. 19-22
Guitart
A gentleman musician: Leonhard Joannes Josephus Von Call (Part 1)
N. 95
23rd year
July-September 2018
pp. 30-34
A gentleman musician: Leonhard Joannes Josephus Von Call (2nd part)
Guitart
N. 96
23rd year
October-December 2019
pp. 27-32
Guitart
The publisher Domenico Artaria of Vienna and the publications for and with guitar from 1778 to 1855 (Part 1)
N. 97
24the year
gennaio-marzo 2020
pp. 26-28
The publisher Domenico Artaria of Vienna and the publications for and with guitar from 1778 to 1855 (2nd part)
Guitart
N. 98
24th year
April-May 2020
pp. 33-37
Guitart
The guitar in Symphony No. 7 by Gustav Mahler
N. 99
24th year
July-September 2020
pp. 16-19
The methods for guitar in France during the golden age of the six strings
(Part 1)
Guitart
N. 100
24 year
October-December 2020
pp. 34-39
Guitart
The methods for guitar in France during the golden age of the six strings (2nd part)
N. 101
25th year
January-March 2021
pp. 30-39
Fingertip or nail? A comparison that has lasted for centuries (part 1)
Guitart
N. 102
25th year
April-June 2021
pp. 22-28
Guitart
Fingertip or nail? A comparison that has lasted for centuries (part 2)
N. 103
25th year
July-September 2021
pp. 10-18
Between guitar and research: interview by the Editorial Team
Guitart
N. 104
25th year
October-December 2021
pp. 31-34
Guitart
The tripodisòn of Dionisio Aguado: an unfortunate invention
N. 105
26th year
January-March 2022
pp. 34-39
Antonio Rovetta - Milan 1826: a rediscovered guitar
Guitart
N. 109
27th year
January-March 2023
pp. 20-28
